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Artist

Jean Pucelle

Painters

Jean Pucelle is recorded in the Getty Union List of Artist Names with the biographical note: French illuminator, active ca. 1319-1334. Getty classifies the person under these roles: illuminators (manuscript artists), painters (artists). The nationality terms attached to the record are French. The record carries 5 forms of the name and the identifier 500115647. In this atlas the person is linked as the creator of Hours of Jeanne d'Evreux.

Facts
Classification
Gender
Male 1
Connections

Practices

Source Getty Research Institute Union List of Artist Names: Pucelle, Jean (French illuminator, active ca. 1319-1334)

Works Created

Source Hours of Jeanne d'Evreux (Wikipedia)
In the Other Atlases

Nationality

Also in Geography Atlas: the nationality of this subject.

Source Getty Research Institute Union List of Artist Names: Pucelle, Jean (French illuminator, active ca. 1319-1334)Record display
Quote, Record display
Pucelle, Jean (French illuminator, active ca. 1319-1334)
Sources
1. Getty Research Institute Union List of Artist Names: Pucelle, Jean (French illuminator, active ca. 1319-1334)
Getty Research Institute Union List of Artist Names
  • Record display
    Pucelle, Jean (French illuminator, active ca. 1319-1334)
  • Gender field
    Gender: male
  • Practices: Manuscript Illumination, Record heading
    Pucelle, Jean (French illuminator, active ca. 1319-1334)
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Jean Pucelle (Wikipedia)
In Group: Gothic Painters and Illuminators, Lead
Quote, In Group: Gothic Painters and Illuminators, Lead
Jean Pucelle (c. 1300-1355; active c. 1320-1350) was a Parisian Gothic-era manuscript illuminator who excelled in the invention of drolleries as well as traditional iconography.
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Hours of Jeanne d'Evreux (Wikipedia)
Wikimedia FoundationWorks Created: Hours of Jeanne d'Evreux, Wikipedia intro
Quote, Works Created: Hours of Jeanne d'Evreux, Wikipedia intro
According to the usual account, it was created between 1324 and 1328 by Jean Pucelle for Jeanne d'Evreux, the third wife of Charles IV of France.
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