Wifredo Lam was a Cuban painter of mixed Chinese, African, and Spanish descent whose work fused European modernism, particularly Cubism and Surrealism, with imagery drawn from Afro-Cuban culture and the Santeria religious tradition. After studying in Madrid and Paris, where he became close to Pablo Picasso and the Surrealist circle around Andre Breton, Lam returned to Cuba in 1941 and produced his best-known painting, The Jungle, a large canvas of hybrid human, animal, and plant forms set within dense sugarcane vegetation that has been read as a commentary on colonialism, slavery, and Afro-Caribbean spiritual identity. Lam's synthesis of European avant-garde technique with Caribbean and African subject matter made him a pivotal figure connecting Latin American and European modernism.
Facts
TrainingMadrid, under Fernando Álvarez de Sotomayor y Zaragoza 1 Connections
In Movement
Core Surrealist painter of the Cuban circle around Andre Breton.
Works Created
In the Other Atlases
- Also in Geography Atlas: Cuba, nationality there.
Sources
1. Wifredo Lam (Wikipedia)
Lead sentence, birth year in the dates parenthesis
December 8, 1902
Lead sentence, death year in the dates parenthesis
September 11, 1982
Lead sentence, description of his nationality and aims
was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture.
Lead sentence, full birth date
December 8, 1902
Death section, sentence giving the date of death
died on September 11, 1982, in Paris, aged 79.
Early life section, sentence on his birth and upbringing
Wifredo Lam was born and raised in Sagua La Grande
Death section, sentence giving the place of death
died on September 11, 1982, in Paris
Education section, sentence on his 1923 studies in Madrid
In 1923, Lam began studying in Madrid under Fernando Álvarez de Sotomayor y Zaragoza
Gender reference
After studying in Madrid and Paris, where he became close to Pablo Picasso and the Surrealist circle around Andre Breton, Lam returned to Cuba in 1941 and produced his best-known painting, The Jungle, a large canvas of hybrid human, animal, and plant forms set within dense sugarcane vegetation that has been read as a commentary on colonialism, slavery, and Afro-Caribbean spiritual identity.
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