Soviet film director and film theorist (1898-1948) whose development of montage editing in Battleship Potemkin and October reshaped the language of cinema, arguing that meaning in film arises from the collision of shots rather than from their content alone.
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Sergei Eisenstein
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1. Wikipedia: Sergei Eisenstein
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Considered one of the greatest filmmakers of all time, he was a pioneer in the theory and practice of montage.
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