Leda and the Swan was a composition of the Greek myth of Leda and Zeus in swan form, developed by Leonardo da Vinci between about 1503 and 1510 through preparatory drawings and, by 1508, a finished painting. The painted version was last recorded in the French royal collection at Fontainebleau in 1625, described in poor condition with its wooden panels split apart, and is believed to have later been deliberately destroyed on grounds of its subject matter. No original painting survives, but Leonardo's own drawings and numerous copies by his students, including Giampietrino and Cesare da Sesto, preserve the composition.
Facts
Year Created LocationLost, probably deliberately destroyed 1 Connections
Created By
Source Leda and the Swan (Leonardo) - Wikipedia
In Form
Source Leda and the Swan (Leonardo) - Wikipedia
In Genre
Entity-backed identity for the genre enum value this work already carries, resolved to an arts art-form by an explicit value-to-entity map (phase 3 bucket conversion, docs\design_entity_backed_browse_buckets_20260928.md). The genre fact itself, with its own citation, stays on the work unchanged.
Sources
1. Leda and the Swan (Leonardo) - Wikipedia
Completed version, dating
In 1508 Leonardo painted a different composition of the subject
Completed version, status
The painting is lost, probably deliberately destroyed
Genre reference
Leda and the Swan was a composition of the Greek myth of Leda and Zeus in swan form, developed by Leonardo da Vinci between about 1503 and 1510 through preparatory drawings and, by 1508, a finished painting.
In Form: Painting, lead paragraph
The story of Leda and the Swan was the subject of two compositions by Leonardo da Vinci from perhaps 1503-1510. Neither survive as paintings by Leonardo, but there are a number of drawings for both by him, and copies in oils, espe
Created By: Leonardo da Vinci, lead paragraph
The story of Leda and the Swan was the subject of two compositions by Leonardo da Vinci from perhaps 1503-1510. Neither survive as paintings by Leonardo, but there are a number of drawings for both by him, and copies in oils, espe
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