An oil panel painted around 1437 by the Early Netherlandish master Jan van Eyck, showing the Virgin Mary seated on a wooden throne beneath a canopy, breastfeeding the infant Christ. Its small size suggests it was made for private devotion, and its construction suggests it may once have formed the inner panel of a triptych; the Virgin's face has been identified as a portrait of the painter's own wife, Margaretha. The painting takes its present name from an early nineteenth-century owner, Charles II, Duke of Parma and Lucca, and dates from near the end of van Eyck's career, between the Ghent Altarpiece and his death in 1441. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/
Facts
Medium
Medium (category) Year Created Connections
In Form
Source Lucca Madonna (Wikipedia)
In Genre
Entity-backed identity for the genre enum value this work already carries, resolved to an arts art-form by an explicit value-to-entity map (phase 3 bucket conversion, docs\design_entity_backed_browse_buckets_20260928.md). The genre fact itself, with its own citation, stays on the work unchanged.
In the Other Atlases
- Also in Geography Atlas: Germany, located there.
Sources
1. Lucca Madonna (Wikipedia)
Genre reference
An oil panel painted around 1437 by the Early Netherlandish master Jan van Eyck, showing the Virgin Mary seated on a wooden throne beneath a canopy, breastfeeding the infant Christ.
In Form: Painting, lead paragraph
The Lucca Madonna is an oil painting by the Early Netherlandish master Jan van Eyck, painted in approximately 1437. It shows Mary seated on a wooden throne and crowned by a canopy, breastfeeding the infant Christ. Its carpentry su
View the Source2. Wikidata: Lucca Madonna
- Wikidata Q474409, class allow-list match (w-bbfill-artsarchag-0926 resolve_missing)
- Wikidata Q474409, P571 claim (w-bbfill-artsarchag-0926)
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