Arts and Music Atlas

Works, Makers, Traditions
Sign In
Text size
100%
Theme
Artistic Technique

Twelve-Tone Technique

Musical Composition and Performance Techniques

Twelve-tone technique is a method of musical composition, developed by Arnold Schoenberg in the early 1920s, in which a fixed ordering of all twelve pitches of the chromatic scale, called a tone row, serves as the basic material for a piece. Once set, the row can be used in its original order, reversed, inverted, or both, and transposed to different starting pitches, but every occurrence of the row must sound all twelve tones before any tone repeats, so that no single pitch is allowed to dominate the music the way a tonic note dominates tonal music. Schoenberg and his students Alban Berg and Anton Webern used the technique to write atonal music with its own internal system of order, and it became the best known and most widely adopted form of the broader compositional approach called serialism.

FAQs

What rule governs a tone row in twelve-tone technique?

A tone row is a fixed ordering of all twelve pitches of the chromatic scale that serves as the basic material for a piece. Once set, the row can be used in its original order, reversed, inverted, or both, and transposed to different starting pitches, but every occurrence of the row must sound all twelve tones before any tone repeats, so that no single pitch is allowed to dominate the music the way a tonic note dominates tonal music.
Connections

Open Questions

Sources
Wikipedia
Wikimedia FoundationTwelve-Tone Technique, Wikipedia summary lead
Quote, Twelve-Tone Technique, Wikipedia summary lead
The twelve-tone technique-also known as dodecaphony, twelve-tone serialism, and twelve-note composition-is a method of musical composition. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes.
View the Source
Open Questions (1 open question)
Does Josef Matthias Hauer's 1919 twelve-tone method predate and diminish Arnold Schoenberg's credited invention of the technique?

Austrian composer Josef Matthias Hauer published his own "law of the twelve tones" in 1919, four years before Arnold Schoenberg developed the better-known version of twelve-tone technique in 1923, yet standard accounts, including this atlas's own entity, credit Schoenberg as the technique's developer without addressing Hauer's prior claim or how independently the two systems were conceived.

What would resolve this A documented comparison of Hauer's 1919 method and Schoenberg's 1923 method, including whether Schoenberg knew of Hauer's work while developing his own, would clarify how the current attribution to Schoenberg alone should be qualified.
music historyWikipedia
Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0)
No disputes yet. Spotted an error or a better source? Open the first one.