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Donatello

Sculptors

Donatello was a Florentine sculptor of the early Renaissance whose innovations in bronze and marble carving established sculpture as an art capable of the same psychological depth and naturalism that painters of his generation were pursuing. His bronze David, the first known free-standing nude statue since antiquity, and his dramatic wooden and bronze figures of saints and prophets combined careful study of classical models with an unprecedented attention to individual character and emotional expression. Working chiefly in Florence and Padua, Donatello trained and influenced a generation of later sculptors and is regarded as one of the founding figures of Renaissance art.

Facts
Birth Year
1386 1
Approximate; based on Donatello's own 1427 catasto tax declaration stating he was 41 years old in July 1427.
Death Year
1466 1
Nationality
Italian 1
Death Date
1466-12-13 1
Birthplace
Republic of Florence 1
Death Place
Republic of Florence 1
Training
Apprenticed in the studio of Lorenzo Ghiberti in Florence, 1404-1407, on the bronze doors of the Florence Baptistery 1
Classification
Gender
Male 1
Connections

In Movement

Defining Early Renaissance sculptor.

In the Other Atlases
Sources
1. Donatello (Wikipedia)
Wikimedia Foundation
  • Lead paragraph 1
    was an Italian sculptor of the Renaissance period.
  • Early life section
    Donatello was born in Florence, probably in 1386, based on his own later statement in his catasto tax declaration
  • Lead paragraph 1 (birth-death parenthetical, death date)
    13 December 1466
  • Infobox: death_place field
    death_place = Republic of Florence
  • Early career section
    Donatello is recorded as working as an apprentice, and for the last few months on a salary, in the studio of Lorenzo Ghiberti in 1404-1407, apparently working on the workshop's main project, the bronze doors of the Florence Baptistery
  • Gender reference
    Donatello was a Florentine sculptor of the early Renaissance whose innovations in bronze and marble carving established sculpture as an art capable of the same psychological depth and naturalism that painters of his generation were pursuing.
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