International Gothic was a courtly style of painting and manuscript illumination that spread across Western Europe from roughly 1375 to 1425, named for the way its elegant, decorative manner circulated among the courts of France, Burgundy, Bohemia and northern Italy with little regard for national boundaries. Its hallmarks are graceful, elongated figures, rich costume and courtly detail, gold backgrounds and a taste for naturalistic incidental detail, particularly animals and plants, seen at its height in the Limbourg brothers' Tres Riches Heures du Duc de Berry and in the work of Gentile da Fabriano. The style bridged the late Gothic and the emerging naturalism of the Early Renaissance, and its close observation of the natural world fed directly into the Netherlandish painting that followed it in the fifteenth century.
Facts
Founded In PlaceThe courts of France, Burgundy, Bohemia and northern Italy 1 Key PrincipleElegant, elongated courtly figures, rich costume detail, gold backgrounds and naturalistic incidental observation of plants and animals, circulating among European courts with little regard for national style. 1 Connections
Expressed In
Influenced
International Gothic painters such as Gentile da Fabriano directly shaped the first generation of Early Renaissance painting in Italy.
Influenced By
Gothic architectural and decorative conventions fed directly into the courtly International Gothic style of the late 14th and early 15th centuries.
Movement Members
The Angers Apocalypse Tapestry (1377-1382) is a canonical International Gothic textile work.
15th-century Flemish tapestry work in the International Gothic idiom, matching the existing Apocalypse Tapestry precedent.
English illuminated manuscript, c. 1400-1405, International Gothic period.
Illuminated by the Rohan Master, c. 1430s, a canonical International Gothic manuscript.
A defining manuscript of the International Gothic style, painted by the Limbourg brothers.
Sources
1. The Metropolitan Museum of Art
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