Leda and the Swan was a tempera-on-canvas painting completed by Michelangelo in 1530 for Alfonso I d'Este, Duke of Ferrara, depicting the mythological union of Jupiter, in the form of a swan, with Leda, alongside an egg and the children Castor and Pollux. Alfonso dismissed the finished work as a little thing, so Michelangelo withheld it from him; the painting instead passed to France and the royal collection at Fontainebleau, where Queen Anne of Austria is said to have ordered its destruction in the seventeenth century because of its subject matter. The original does not survive, but painted copies in the National Gallery in London, the Gemaldegalerie in Dresden and Berlin, and the Correr Museum in Venice, along with prints and a copy and studies at the Casa Buonarroti, preserve its composition.
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Source Leda and the Swan, Michelangelo (Wikipedia)
In Form
Source Leda and the Swan, Michelangelo (Wikipedia)
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1. Leda and the Swan, Michelangelo (Wikipedia)
Opening paragraph, date
produced in 1530
Opening paragraph, medium
a square work in tempera
Lead section
It was a square work in tempera, representing Jupiter as a swan having sex with a reclining Leda (based on a composition from ancient Roman gems and seals), an egg, and Castor and Pollux as children. The painting was completed by mid-October 1530, but Alfonso described it as a "little thing" in Michelangelo's hearing and so he refused to hand it over.
Created By: Michelangelo, lead paragraph
Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530, but now only surviving in copies and variants. The work depicted the Greek myth of Leda and the Swan.
In Form: Painting, lead paragraph
Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530, but now only surviving in copies and variants. The work depicted the Greek myth of Leda and the Swan.
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