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Separation of Light from Darkness

History, Religious and Mythological Paintings

Separation of Light from Darkness is, in the chronology of the Book of Genesis, the first of nine central panels running along the center of Michelangelo's Sistine Chapel ceiling depicting scenes from Genesis. Michelangelo probably completed the panel in the summer of 1512, the final year of the Sistine ceiling project, and it is one of five smaller scenes that alternate with four larger scenes along the ceiling's center. It is based on verses three through five of the first chapter of Genesis, in which God separates light from darkness and calls the light day and the darkness night. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/

Facts
Year Created
1512 1
Medium
Fresco 2
Location
Sistine Chapel, Vatican City 2
Classification
Genre
Painting 1
Medium
Medium (category)
Fresco 2
Connections

Created By

Michelangelo, Artists
Source Separation of Light from Darkness (Wikipedia)

In Form

Fresco, Art Forms
Source Separation of Light from Darkness (Wikipedia)

In Genre

Painting, Art Forms
In the Other Atlases

Located In

Also in Geography Atlas: where this subject is located.

Source Separation of Light from Darkness (Wikipedia)
Sources
1. Wikidata: Separation of Light from Darkness
  • Wikidata Q3955636, class allow-list match (w-bbfill-artsarchag-0926 resolve_missing)
  • Wikidata Q3955636, P571 claim (w-bbfill-artsarchag-0926)
View the Source
2. Separation of Light from Darkness (Wikipedia)
  • Infobox, medium
    Fresco
  • Infobox: city
    Vatican City
  • Created By: Michelangelo, lead paragraph
    The Separation of Light from Darkness is, from the perspective of the Genesis chronology, the first of nine central panels that run along the center of Michelangelo's Sistine Chapel ceiling and which depict scenes from the Book of
  • In Form: Fresco, Wikipedia sections
    Michelangelo employed in this fresco the challenging ceiling fresco technique of sotto in su ("from below, upward"), which makes a figure appear as if it is rising above the viewer by using foreshortening.
View the Source
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