This oil-on-panel portrait of George Villiers, 1st Duke of Buckingham, the favorite of King James VI and I, was painted around 1625 by the Flemish master Peter Paul Rubens and measures 60.9 by 47.3 centimeters. For decades it was believed to be merely a later copy of a Rubens original that had itself been lost, until the art historian Bendor Grosvenor examined the panel at Pollok House in Glasgow and conservator Simon Rollo Gillespie removed layers of old varnish and overpainting over roughly two months, revealing it to be Rubens's own lost original; Ben van Beneden, director of the Rubenshuis in Antwerp, confirmed the attribution. The rediscovery, announced in 2017, was documented in the BBC Four series Britain's Lost Masterpieces, and the painting remains on display at Pollok House in Pollok Country Park, the former home of the Stirling-Maxwell family. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/
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Year CreatedGiven as around 1625 LocationPollok House, Glasgow, Scotland 2 Medium
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Source Lost portrait of George Villiers, 1st Duke of Buckingham (Wikipedia)
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Source Lost portrait of George Villiers, 1st Duke of Buckingham (Wikipedia)
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1. Lost portrait of George Villiers, 1st Duke of Buckingham (Wikipedia)
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The "lost portrait" of George Villiers, 1st Duke of Buckingham is a portrait of English courtier George Villiers, 1st Duke of Buckingham. It was painted around 1625 - the same year that King James VI and I, who had counted Buckingham as his intimate favourite, died - by Flemish artist Peter Paul Rubens.
In Group: Portraits of Men and Youths, Wikipedia intro
The "lost portrait" of George Villiers, 1st Duke of Buckingham is a portrait of English courtier George Villiers, 1st Duke of Buckingham.
View the Source2. Lost portrait of George Villiers, 1st Duke of Buckingham (Wikipedia)
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It was painted around 1625
Infobox, Year
c. 1625
Infobox, Medium
Oil paint on panel
Infobox: museum
Pollok House, Glasgow, Scotland
Infobox: Date
It was painted around 1625
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