The ambrotype is a direct-positive photographic process, adapted from the wet collodion process, in which a glass plate is deliberately underexposed to produce a pale negative image. When that glass plate is backed with a dark material such as black varnish, paper or velvet, the pale negative image reads to the eye as a positive photograph. Ambrotypes largely displaced the daguerreotype during the 1850s because they were cheaper and faster to produce and, unlike a daguerreotype's reflective metal surface, did not need to be tilted at a precise angle to be seen clearly, though like the daguerreotype each ambrotype remains a single unique image on its own glass plate rather than a print made from a reusable negative. In 1854, James Ambrose Cutting of Boston took out several patents on the process, and by the late 1850s the ambrotype had overtaken the daguerreotype in popularity before itself being displaced by the tintype during the 1860s.
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Wikipedia
Wikimedia FoundationAmbrotype, Wikipedia summary lead
The ambrotype, also known as a collodion positive in the United Kingdom, is a positive photograph on glass made by a variant of the wet plate collodion process. As a cheaper alternative to the French daguerreotype, ambrotypes came to replace them. Like a print on paper, it is viewed by reflected light.
Ambrotype, Wikipedia, History section
In 1854, James Ambrose Cutting of Boston took out several patents relating to the process.
View the Source Frequently Asked Questions
How does an ambrotype differ from a tintype?
The ambrotype and the tintype are both direct-positive photographic processes from the same nineteenth-century collodion era, producing a single one-of-a-kind image rather than a negative for printing copies, but on different supports. An ambrotype is made on a deliberately underexposed glass plate, which reads as a positive image only once backed with a dark material such as black varnish, paper or velvet. A tintype uses a thin sheet of dark-lacquered iron instead of glass, so the dark backing is built into the support itself, making the tintype more durable and portable, qualities that made it especially popular for on-the-spot studio and street portraiture.
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