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Daguerreotype

Photography Techniques

The daguerreotype is an early photographic process, and the first practical, commercially viable photographic technique, in which a direct positive image is formed on a sheet of copper plated with a thin layer of silver, polished to a mirror finish and sensitized with iodine fumes before exposure in a camera, then developed over heated mercury vapor and fixed with a salt solution. Announced publicly in Paris in 1839 by Louis Daguerre, after whom it is named, the process produced a single, unique, highly detailed image directly on the metal plate itself, with no negative and therefore no ability to make copies, and the finished plate had to be viewed at an angle to see the image clearly rather than lit flatly. The daguerreotype dominated photographic portraiture through the 1840s and into the 1850s before being displaced by processes that used a negative to produce multiple paper prints, but its extraordinarily fine resolution has never been fully matched by later nineteenth century processes.

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Photography, Art Forms

daguerreotype is a technique of the photography art form.

The daguerreotype process was succeeded in the 1850s by the faster wet-plate collodion process.

Sources
Wikipedia
Wikimedia FoundationDaguerreotype, Wikipedia summary lead
Quote, Daguerreotype, Wikipedia summary lead
Daguerreotype was the first publicly available photographic process, widely used from the 1830s to 1850s. "Daguerreotype" also refers to an image created through this process.
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Frequently Asked Questions

How does a daguerreotype differ from a calotype?

The daguerreotype and the calotype were rival photographic processes introduced within a few years of each other in the early 1840s, but they worked on opposite principles. A daguerreotype forms a single, unique, highly detailed direct positive image on a silvered copper plate, with no negative and so no way to make copies. A calotype instead exposes a sheet of paper coated with silver iodide to make a translucent paper negative, which can be used to print multiple positive copies, establishing the negative-to-positive principle most photography has used since. The tradeoff was resolution and texture: the daguerreotype's metal plate captured much finer detail, while the calotype's paper fibers gave its prints a softer, slightly grainy quality.
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