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Artistic Technique

Grisaille

Painting Techniques

Grisaille is a painting technique executed entirely, or almost entirely, in shades of gray or another single neutral color, producing an image that reads as sculptural relief or monochrome. The technique was used from the medieval period onward both as a finished style in its own right, notably on the exterior wings of Netherlandish altarpieces such as Jan van Eyck's Ghent Altarpiece, where painted saints imitate stone statues in niches, and as an underpainting stage: a monochrome tonal study laid down first to establish the light and shadow of a composition before transparent colored glazes were added on top. Grisaille was also adopted for stained glass and for engraved book illustration seeking to imitate sculpture, and the technique's name, from the French gris for gray, entered English art vocabulary directly from that Netherlandish and French practice.

Connections

Associated With

Chiaroscuro, Artistic Techniques

Grisaille builds directly on chiaroscuro's light and shadow modeling, rendered in a monochrome palette.

Painting, Art Forms

grisaille is a technique of the painting art form.

Sources
Wikipedia
Wikimedia FoundationGrisaille, Wikipedia summary lead
Quote, Grisaille, Wikipedia summary lead
Grisaille is a painting executed entirely in shades of black and grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range.
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Frequently Asked Questions

Why is grisaille sometimes used as an underpainting rather than a finished picture?

As an underpainting, grisaille lays down a monochrome tonal study to establish light and shadow before colored glazes go on top.

Grisaille, a painting technique executed entirely or almost entirely in shades of gray or another single neutral color, was used from the medieval period onward both as a finished style in its own right, notably on the exterior wings of Netherlandish altarpieces such as Jan van Eyck's Ghent Altarpiece, where painted saints imitate stone statues in niches, and as an underpainting stage: a monochrome tonal study laid down first to establish the light and shadow of a composition before transparent colored glazes were added on top. It was also adopted for stained glass and for engraved book illustration seeking to imitate sculpture.
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