Repousse is a metalworking technique in which a design is formed in relief by hammering and punching a sheet of metal, most often silver, gold or copper, from the reverse side, so the design projects outward from the front face. It is frequently used together with the complementary technique of chasing, in which the same design is then refined and detailed by hammering fine lines and textures into the front face of the metal. The technique has an ancient and geographically wide history, documented in Bronze Age Europe, ancient Egypt and Persia, and Byzantine and medieval European metalwork, and it remains central to traditional metalworking across many cultures, from Andean pre-Columbian goldwork to Indian and Islamic decorative metal vessels. Because it works the metal cold, without casting or melting, repousse allows fine, controlled detail while preserving the strength and thinness of the original sheet.
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Repousse (worked sheet metal) and lost-wax casting are complementary metalworking techniques often used on the same decorative sculpture.
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Repoussé or repoussage ( ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction.
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What is the difference between repousse and chasing?
Repousse and chasing are complementary metalworking techniques often used together on the same piece. Repousse forms a design in relief by hammering and punching a sheet of metal from the reverse side, so the design projects outward from the front. Chasing then refines and sharpens that same design by hammering fine lines and textures into the front face of the metal, without removing any metal. In practice a metalworker typically roughs out the raised form with repousse from behind and then finishes the surface detail with chasing from the front.
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