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Artist

Hilma af Klint

Painters

Hilma af Klint was a Swedish painter who produced a large body of abstract paintings, beginning around 1906, that predate the work of Wassily Kandinsky, Piet Mondrian, and other artists traditionally credited as the pioneers of abstract art in Europe. Deeply engaged with spiritualism and theosophy, she believed her large-scale, symbol-laden abstract series, including The Ten Largest, were produced under guidance from spiritual sources contacted through seances, and she deliberately kept most of the work unexhibited during her lifetime, stipulating in her will that it not be shown publicly for twenty years after her death. Rediscovered and exhibited widely only from the late twentieth century onward, af Klint's work has substantially revised the standard art-historical account of when and by whom abstract painting began.

Facts
Birth Year
1862 1
Death Year
1944 1
Nationality
Swedish 1
Birth Date
1862-10-26 1
Death Date
1944-10-21 1
Birthplace
Karlberg Palace, Solna, Sweden 1
Death Place
Danderyd, Sweden 1
Training
Royal Academy of Fine Arts 1
Classification
Gender
Female 1
Connections

Works Created

The Ten Largest, Works
In the Other Atlases
Sources
1. The Ten Largest (Wikipedia)
Wikipedia
  • Lead sentence, birth year in the dates parenthesis
    26 October 1862
  • Lead sentence, death year in the dates parenthesis
    21 October 1944
  • Lead sentence, description of her nationality and standing
    was a Swedish artist and mystic whose paintings are considered to be among the first major abstract works in Western art history.
  • Lead sentence, full birth date in the dates parenthesis
    26 October 1862
  • Lead sentence, full death date in the dates parenthesis
    21 October 1944
  • Infobox, Born line
    Karlberg Palace, Solna, Sweden
  • Infobox, Died line
    (aged 81) Danderyd, Sweden
  • Early life, sentence on her admission to the academy
    Af Klint was admitted to the Royal Academy of Fine Arts at the age of twenty.
  • Gender reference
    Deeply engaged with spiritualism and theosophy, she believed her large-scale, symbol-laden abstract series, including The Ten Largest, were produced under guidance from spiritual sources contacted through seances, and she deliberately kept most of the work unexhibited during her lifetime, stipulating in her will that it not be shown publicly for twenty years after her death.
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