Calligraphy, the art of fine and expressive handwriting, developed as an independent fine art in more than one world tradition rather than from a single point of origin. In China, the earliest evidence of writing later prized for its calligraphic form dates to the Shang dynasty, roughly 1600 to 1046 BCE, and by the third century CE calligraphy had become the supreme visual art in the Chinese tradition. During the Han dynasty, 206 BCE to 220 CE, Chinese artisans perfected the four basic materials still used by calligraphers today, the brush, ink, paper and inkstone. The most celebrated Chinese calligrapher, Wang Xizhi, worked in the fourth century CE and is best known for the Lantingxu, or Preface to the Poems Composed at the Orchid Pavilion, written in 353 CE, whose fluid running script became a model for later generations. A separate, equally rich tradition developed in the Islamic world from the seventh and eighth centuries CE, as Arabic writing spread with the early Islamic conquests; Arabic calligraphers wrote with a reed pen called a qalam, its tip cut at an angle to produce a thick downstroke and thin upstroke, using ink typically made from lamp soot bound with gum arabic.
Facts
MediumInk applied by hand with a tool shaped to vary line weight, chiefly an animal-hair brush bundled into a bamboo or wood handle in the Chinese and East Asian tradition, or a reed pen called a qalam cut at an angle in the Arabic and Islamic tradition, worked on paper, silk or another prepared surface. 1 Signature TechniqueThe Four Treasures of the Study: an ink brush (maobi), Chinese ink, paper, and an inkstone. 2 Place of OriginChina, where the earliest known Chinese characters are the oracle bone script (jiagu wen) carved on ox scapulae and tortoise plastrons. 2 Notable ExampleThe Mao Gong ding, one of the most famous examples of bronzeware script in Chinese calligraphic history, bearing 500 inscribed characters, the largest number of bronze inscriptions discovered to date. 2 Connections
Associated With
Practitioners
Source Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Works In This Form
Gold Kufic calligraphy on indigo-dyed parchment.
Early illuminated manuscript of Chaucer's Canterbury Tales, c. 1400-1405.
Early illuminated Ethiopian Gospel manuscript.
Small illuminated book of hours by Jean Pucelle, 1324-1328.
Source Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Illuminated book of hours by the Rohan Master, c. 1430s.
Source Vergilius Vaticanus (Wikipedia)
In the Other Atlases
- Also in Language Atlas: Arabic Script, was influenced by this subject there.
- Also in Language Atlas: Han Script, was influenced by this subject there.
Sources
1. The Metropolitan Museum of Art
The Metropolitan Museum of Art, New York- Heilbrunn Timeline: Chinese Calligraphy, essay by Dawn Delbanco
- Heilbrunn Timeline: Chinese Calligraphy
View the Source 2. Wikipedia
Wikimedia FoundationCalligraphy, East Asia History section, Mao Gong ding
Mao Gong ding is one of the most famous examples of bronzeware script in Chinese calligraphic history. It contains 500 inscribed characters, the largest number of bronze inscriptions discovered to date.
Calligraphy, East Asia History section, oracle bone script
In ancient China, the oldest known Chinese characters are oracle bone script (甲骨文), carved on ox scapulae and tortoise plastrons.
Calligraphy, East Asia Technique section
To write Chinese characters, traditional East Asian writing uses the Four Treasures of the Study: ink brushes known as maobi (毛筆/毛笔), Chinese ink, paper, and inkstones.
Chinese calligraphy, Characteristics section
In China, calligraphy is referred to as shūfǎ or fǎshu (书法/书法, 法書/法书), literally 'way/method/law of writing'.
Arabic calligraphy, lead section
It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'.
- Works In This Form: Book of Kells
View the Source Calligraphy (New World Encyclopedia)
New World Encyclopediaentry text on definition and major traditionsQuote, entry text on definition and major traditions
the art of giving form to signs in an expressive, harmonious and skillful manner.
View the Source Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Asian Art Museum, San Francisco- Practitioners: Wang Xizhi
- Works In This Form: Lantingji Xu (Orchid Pavilion Preface)
View the Source Vergilius Vaticanus (Wikipedia)
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