The Early Renaissance describes the first phase of the Italian Renaissance, centered on Florence from roughly 1400 to 1490, when artists including Brunelleschi, Donatello and Masaccio recovered and systematized linear perspective, anatomical naturalism and classical proportion after centuries of Gothic convention. Brunelleschi's demonstrated perspective construction and his dome for Florence Cathedral, Donatello's freestanding bronze David, the first such nude since antiquity, and Masaccio's Trinity fresco, the first fully convincing perspectival space in painting, mark the movement's defining breakthroughs. Patronage from the Medici and other Florentine banking families financed much of this work, tying artistic innovation closely to civic and mercantile pride. The Early Renaissance's systematic naturalism set the technical and intellectual foundation the High Renaissance built on a generation later.
Facts
Founded In Place Key PrincipleSystematic linear perspective, anatomical naturalism and classical proportion, recovered from antiquity and applied to painting, sculpture and architecture, largely funded by Florentine mercantile patronage. 2 Connections
Expressed In
Influenced
Early Renaissance advances in perspective, anatomy and classical revival directly enabled the High Renaissance synthesis of Leonardo, Michelangelo and Raphael.
Influenced By
International Gothic painters such as Gentile da Fabriano directly shaped the first generation of Early Renaissance painting in Italy.
Movement Members
Defining Early Renaissance sculptor.
Early Renaissance painter.
Early Renaissance painter.
Uccello's pioneering perspectival battle series, c. 1438-1440.
Sources
1. Gardner's Art Through the Ages
Fred S. Kleiner (after Helen Gardner), Cengage Learning
2. The Metropolitan Museum of Art
Wikipedia
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