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Art Form

Calligraphy

Also Known As Shufa (书法) (Chinese) · Khatt (خَطّ) (Arabic/Islamic)
Two-Dimensional and Graphic Arts
Calligraphy

Calligraphy, the art of fine and expressive handwriting, developed as an independent fine art in more than one world tradition rather than from a single point of origin. In China, the earliest evidence of writing later prized for its calligraphic form dates to the Shang dynasty, roughly 1600 to 1046 BCE, and by the third century CE calligraphy had become the supreme visual art in the Chinese tradition. During the Han dynasty, 206 BCE to 220 CE, Chinese artisans perfected the four basic materials still used by calligraphers today, the brush, ink, paper and inkstone. The most celebrated Chinese calligrapher, Wang Xizhi, worked in the fourth century CE and is best known for the Lantingxu, or Preface to the Poems Composed at the Orchid Pavilion, written in 353 CE, whose fluid running script became a model for later generations. A separate, equally rich tradition developed in the Islamic world from the seventh and eighth centuries CE, as Arabic writing spread with the early Islamic conquests; Arabic calligraphers wrote with a reed pen called a qalam, its tip cut at an angle to produce a thick downstroke and thin upstroke, using ink typically made from lamp soot bound with gum arabic.

Facts
Medium
Ink applied by hand with a tool shaped to vary line weight, chiefly an animal-hair brush bundled into a bamboo or wood handle in the Chinese and East Asian tradition, or a reed pen called a qalam cut at an angle in the Arabic and Islamic tradition, worked on paper, silk or another prepared surface. 1
Signature Technique
The Four Treasures of the Study: an ink brush (maobi), Chinese ink, paper, and an inkstone. 2
Place of Origin
China, where the earliest known Chinese characters are the oracle bone script (jiagu wen) carved on ox scapulae and tortoise plastrons. 2
Notable Example
The Mao Gong ding, one of the most famous examples of bronzeware script in Chinese calligraphic history, bearing 500 inscribed characters, the largest number of bronze inscriptions discovered to date. 2
Connections

Associated With

Drawing, Art Forms

Practitioners

Source Wikipedia: Ahmed Karahisari
Hakuin Ekaku, Artists
Source Getty Research Institute, Union List of Artist Names: Hakuin Ekaku (Japanese monk and painter, 1685 or 1686-1768)
Ibn al-Bawwab, Artists
Source Wikipedia: Ibn al-Bawwab
Ibn Muqla, Artists
Source Ibn Muqla - Wikipedia
Kim Jeong-hui, Artists
Source Wikipedia: Kim Jeong-hui
Source Mary Concepta Lynch (Wikipedia)
Mi Fu, Artists
Source Mi Fu - Wikipedia
Source Wikipedia: Mir Emad Hassani
Ogata Kenzan, Artists
Source Wikipedia: Ogata Kenzan
Ouyang Xun, Artists
Source Wikipedia: Ouyang Xun
Pu Ru, Artists
Source Getty Research Institute, Union List of Artist Names: Pu Ru (Chinese painter, calligrapher, and poet, 1896-1963)
Wang Xizhi, Artists
Source Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Yan Zhenqing, Artists
Source Yan Zhenqing - Wikipedia
Source Yaqut al-Musta'simi - Wikipedia
Zhao Mengfu, Artists
Source Wikipedia: Zhao Mengfu

Works In This Form

Blue Qur'an, Works

Gold Kufic calligraphy on indigo-dyed parchment.

Book of Kells, Works
Source Wikipedia

Early illuminated manuscript of Chaucer's Canterbury Tales, c. 1400-1405.

Garima Gospels, Works

Early illuminated Ethiopian Gospel manuscript.

Small illuminated book of hours by Jean Pucelle, 1324-1328.

Source Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Rohan Hours, Works

Illuminated book of hours by the Rohan Master, c. 1430s.

Source Vergilius Vaticanus (Wikipedia)
In the Other Atlases

Influenced By

Also in Language Atlas: which influenced this subject.

Also in Language Atlas: which influenced this subject.

Originated In

Also in Geography Atlas: where this subject originated.

Source Calligraphy (New World Encyclopedia)
Sources
1. The Metropolitan Museum of Art
The Metropolitan Museum of Art, New York
  • Heilbrunn Timeline: Chinese Calligraphy, essay by Dawn Delbanco
  • Heilbrunn Timeline: Chinese Calligraphy
View the Source
2. Wikipedia
Wikimedia Foundation
  • Calligraphy, East Asia Technique section
    To write Chinese characters, traditional East Asian writing uses the Four Treasures of the Study: ink brushes known as maobi (毛筆/毛笔), Chinese ink, paper, and inkstones.
  • Works In This Form: Book of Kells
View the Source
Calligraphy (New World Encyclopedia)
New World Encyclopediaentry text on definition and major traditions
Quote, entry text on definition and major traditions
the art of giving form to signs in an expressive, harmonious and skillful manner.
View the Source
Arabic calligraphy (Wikipedia)
Arabic calligraphy, lead section
Quote, Arabic calligraphy, lead section
It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'.
View the Source
Calligraphy (Wikipedia)
  • Calligraphy, East Asia History section, Mao Gong ding
    Mao Gong ding is one of the most famous examples of bronzeware script in Chinese calligraphic history. It contains 500 inscribed characters, the largest number of bronze inscriptions discovered to date.
  • Calligraphy, East Asia History section, oracle bone script
    In ancient China, the oldest known Chinese characters are oracle bone script (甲骨文), carved on ox scapulae and tortoise plastrons.
  • Lead section
    Often, it has line spacing between one-quarter or one-half inch, although one-inch spaces are occasionally used, as is the case with Uncial script (from Latin: litterea unciales, lit. 'inch-high letters'). == East Asia == Chinese calligraphy is known as shūfǎ or fǎshū (書法, or 法書 in traditional Chinese, 'the method or law of writing'); Japanese calligraphy is called shodō (書道, 'the way of writing'); and Korean calligraphy is referred to as seoye (Korean: 서예; Hanja: 書藝; 'the art of writing').
View the Source
Orchid Pavilion Preface in Cursive Script (Asian Art Museum, San Francisco)
Asian Art Museum, San Francisco
  • Practitioners: Wang Xizhi
  • Works In This Form: Lantingji Xu (Orchid Pavilion Preface)
View the Source
Vergilius Vaticanus (Wikipedia)
Wikimedia FoundationWorks In This Form: Vergilius VaticanusView the Source
Ibn Muqla - Wikipedia
Practitioners: Ibn Muqla, lead paragraph
Quote, Practitioners: Ibn Muqla, lead paragraph
Ibn Muqla (Arabic: ابن مقلة) was a polymath, calligrapher, vizier, and poet prominent in Baghdad during the Islamic Golden Age. Born in 9th century Baghdad, Ibn Muqla systematized Arabic calligraphy through geometric and mathemati
View the Source
Yan Zhenqing - Wikipedia
Practitioners: Yan Zhenqing, Lead section
Quote, Practitioners: Yan Zhenqing, Lead section
Yan Zhenqing (simplified Chinese: 颜真卿; traditional Chinese: 顏真卿; pinyin: Yán Zhēnqīng; Wade-Giles: Yen Chen-ch'ing; 709 - 23 August 784) was a Chinese calligrapher, military general, and politician. He was a leading Chinese calligrapher and a loyal governor of the Tang dynasty.
View the Source
Mi Fu - Wikipedia
Practitioners: Mi Fu, lead paragraph
Quote, Practitioners: Mi Fu, lead paragraph
Mi Fu (Chinese: 米芾; 1051-1107) was a Chinese painter, poet, calligrapher and art theorist of the early Song dynasty. Born in Taiyuan, he was known for his landscape painting technique, later referred to as "Mi Dots", which involve
View the Source
Yaqut al-Musta'simi - Wikipedia
Practitioners: Yaqut al-Mustasimi, lead paragraph
Quote, Practitioners: Yaqut al-Mustasimi, lead paragraph
Yaqut al-Musta'simi (Arabic: ياقوت المستعصمي) (died 1298) was a well-known calligrapher and secretary of the last Abbasid caliph.
View the Source
Mary Concepta Lynch (Wikipedia)
Practitioners: Mary Concepta Lynch, lead paragraph
Quote, Practitioners: Mary Concepta Lynch, lead paragraph
Mary Concepta Lynch (1874-1939), was an Irish nun and skilled artist, illuminator, and calligrapher, who spent 16 years ornately decorating the Celtic design in the Oratory of the Sacred Heart at St. Mary's Dominican Convent in
View the Source
Wikipedia: Ogata Kenzan
Practitioners: Ogata Kenzan, Lead
Quote, Practitioners: Ogata Kenzan, Lead
was an Edo period Japanese potter, painter, and calligrapher
View the Source
Wikipedia: Ibn al-Bawwab
Practitioners: Ibn al-Bawwab, Lead
Quote, Practitioners: Ibn al-Bawwab, Lead
was an Arabic calligrapher and illuminator
View the Source
Wikipedia: Zhao Mengfu
Practitioners: Zhao Mengfu, Lead
Quote, Practitioners: Zhao Mengfu, Lead
was a Chinese calligrapher, painter, and scholar during the Yuan dynasty
View the Source
Wikipedia: Ouyang Xun
Practitioners: Ouyang Xun, Lead
Quote, Practitioners: Ouyang Xun, Lead
was a Chinese calligrapher, politician, and writer of the early Tang dynasty
View the Source
Wikipedia: Ahmed Karahisari
Practitioners: Ahmed Karahisari, Lead
Quote, Practitioners: Ahmed Karahisari, Lead
was an Ottoman calligrapher
View the Source
Wikipedia: Kim Jeong-hui
Practitioners: Kim Jeong-hui, Lead
Quote, Practitioners: Kim Jeong-hui, Lead
was one of the most celebrated epigraphists, scholars, and practitioners of calligraphy of Korea's later Joseon period
View the Source
Wikipedia: Mir Emad Hassani
Practitioners: Mir Emad Hassani, Lead
Quote, Practitioners: Mir Emad Hassani, Lead
is perhaps the most celebrated Persian calligrapher
View the Source
Getty Research Institute, Union List of Artist Names: Hakuin Ekaku (Japanese monk and painter, 1685 or 1686-1768)
Practitioners: Hakuin Ekaku, Roles
Quote, Practitioners: Hakuin Ekaku, Roles
calligrapher
View the Source
Getty Research Institute, Union List of Artist Names: Pu Ru (Chinese painter, calligrapher, and poet, 1896-1963)
Practitioners: Pu Ru, Record heading
Quote, Practitioners: Pu Ru, Record heading
P'u Hsin-yü (Chinese painter, calligrapher, and poet, 1896-1963)
View the Source

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