Dante Gabriel Rossetti was an English poet, illustrator and painter who lived from 1828 to 1882, and who founded the Pre-Raphaelite Brotherhood in 1848 together with William Holman Hunt and John Everett Millais. His painting was characterized by sensuality and medieval revivalism, and from about 1860 his style became dense and richly colored, drawing on later Italian Renaissance painting and typically showing a single female figure set against a luxuriant background of vegetation. He frequently wrote sonnets to accompany his own pictures, and his personal life was closely bound up with his relationships with the models who sat for these paintings, including Elizabeth Siddal, whom he married. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/
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Dante Gabriel Rossetti was a founding member of the Pre-Raphaelite Brotherhood, formed in 1848.
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Source Dante Gabriel Rossetti (Wikipedia)
Source Dante Gabriel Rossetti (Wikipedia)
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Source Paolo and Francesca da Rimini (Wikipedia)
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Rossetti's art was characterised by its sensuality and its mediaeval revivalism.
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From about 1860 Rossetti's painting style changed to a dense, rich, style drawing from later Italian Renaissance painting, very often showing a single female figure using one of his small group of regular models, typically with a luxuriant background of vegetation.
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He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais.
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He studied at Henry Sass' Drawing Academy from 1841 to 1845, when he enrolled in the Antique School of the Royal Academy, which he left in 1848.
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Wikidata Q186748, class allow-list match (w-bbfill-artsarchag-0926 resolve_missing)View the Source Paolo and Francesca da Rimini (Wikipedia)
Works Created: Paolo and Francesca da Rimini, lead paragraphQuote, Works Created: Paolo and Francesca da Rimini, lead paragraph
Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain. The painting is a triptych inspired by Canto V of Dante's Inferno, which describes the adul
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