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Virgin of Vladimir

History, Religious and Mythological Paintings

The Virgin of Vladimir is a twelfth-century Byzantine icon of the Virgin and Child, painted in the Eleusa type in which the infant Christ presses his cheek against his mother face. Brought from Constantinople to Kievan Rus in the early twelfth century, the icon became one of the most venerated and politically significant works of art in Russian history, credited across the centuries with protecting Moscow from invasion and used in the coronation and blessing of Russian rulers. It has been repeatedly restored, and only small areas of the original twelfth-century paint, chiefly the faces of the Virgin and Child, survive beneath later overpainting. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/

Facts
Medium
Tempera 1
Location
Cathedral of Christ the Saviour, Moscow 1
Primary Material
Wood 1
Current Use
Placed in the free use of the Russian Orthodox Church for forty-nine years 1
Classification
Genre
Painting 1
Sources
1. Virgin of Vladimir (Wikipedia)
  • Infobox, medium
    Tempera
  • Description
    a tempera painting on wood
  • Infobox, museum
    Cathedral of Christ the Saviour
  • Lead, paragraph 4
    the Russian Orthodox Church has free use of the icon for forty-nine years
  • Genre reference
    The Virgin of Vladimir is a twelfth-century Byzantine icon of the Virgin and Child, painted in the Eleusa type in which the infant Christ presses his cheek against his mother face.
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