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Caravaggism

Baroque, Rococo and Classicism

Caravaggism refers to the international current of painting that followed Caravaggio's dramatic style after his death in 1610, spreading through Rome and then to Naples, Utrecht, Spain and France over the following decades. Its defining device is tenebrism, an extreme contrast of light and shadow that models forms with a single, often unseen light source, combined with an unidealized, sometimes startlingly plebeian naturalism in figure types drawn from ordinary models rather than classical ideals. The Utrecht Caravaggisti, including Gerrit van Honthorst and Hendrick ter Brugghen, carried the style north into the Dutch Republic, where it shaped Rembrandt's early chiaroscuro, while Jusepe de Ribera and Diego Velazquez extended it in Naples and Spain. Though never a formal school with a manifesto, the shared visual language of Caravaggism marks one of the most widely imitated painting styles of the early seventeenth century.

Facts
Start Year
1600 1
End Year
1650 1
Founded In Place
Rome, Italy, spreading to Naples, Utrecht, Spain and France 1
Key Principle
Tenebrism, an extreme single-source light and shadow contrast, combined with an unidealized naturalism drawing figure types from ordinary models rather than classical ideals. 1
Connections

Associated With

Caravaggio, Artists

Caravaggism is the movement of painters across Europe who directly adopted Caravaggios dramatic chiaroscuro and naturalism.

Expressed In

Painting, Art Forms

Influenced

Movement Members

Gentileschi is a leading Caravaggist painter, distinct from Caravaggio himself who is classed under Baroque proper.

Sources
1. The Metropolitan Museum of Art
The Metropolitan Museum of Art, New YorkView the Source

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